Monday, April 9, 2012

Sugar and Berries

The surviving crewmen of The Margaret were lying face-down on the deck. They’d been boarded by The Guppie, now bobbing along starboard, strangely peaceful now that the smoke and clang of battle had ended. They’d been badly beaten, decimated, and surrendered to their fate.

The pirates laid planks of wood across the boats. First came a mop-up crew to kill the remaining wounded. After that some gathered crates of the cargo, mostly berries and sugars from the island. Then they rolled a large heavy block of wood made from several crude logs bound together. Crewmembers of The Margaret exchanged puzzled glances.

Then came the man who could only be the infamous Captain Horatio Magellan. Standing over six feet tall, he strode across the ships, resplendent in his blue naval uniform, still immaculate so many years from his days in the British navy. His face was as weather-beaten and cracked as any driftwood, his white walrus mustache standing out like ice against his sun-browned skin.

“Who is the Captain?”

One of the crewmen tilted his head upwards. “The Captain was killed. I’m Nathanial Hollander, first mate.”

“You will work as slaves for us?”

“Never!”

“Then hoist the block!”

As pirates held sabers to his neck to keep him from struggling, several others lifted the great wooden block over his body, and then gently laid it down on his flattened body.

“Oof!” moaned Hollander.

“Haul the anchor chain!”

Magellan’s crew drew up the anchor, but rather than winding the chain on its giant spool, they dragged the loose links and laid them across the heavy block. Hollander wheezed as the pressure weighed down upon him.

Magellan smiled a mirthless smile. “One less slave then. I prefer to do business with berries and sugar! These islands and your ships provide rich cargos! I shall be known for brown sugar and berries. I shall have to add these items to my coat of arms!”

Hollander gasped, barely able to spit the words, “Men like you aren’t known for their plunder, they’re know for their crimes!”

Magellan smiled wider and angrier. “Sugar and berries! Throw a cask of each on our good first mate, shall we lads?”

His men lifted barrels of their new loot on the block, and one clownish one did a jig, as Hollander’s lungs collapsed, and his bones began to snap. Cruel laughter rose on the deck of  The Margaret as the ritual was reenacted, prisoner to prisoner. Most accepted slavery, though some called Magellan hateful names and were crushed under the block. A few of the doomed called Magellan a particular name, and when he heard that name, he made a point of weighting them down more slowly, link by link of the chain.

After the bloody rite was finished, some of the booty was hauled aboard The Guppie, along with the great block. Corpses were tossed into the sea, slaves shoved into the hulls of both ships, and the conquering crew appointed new officers for the captured ships. Then came drinking and song.

As his men jigged and sang, Captain Magellan sat and fumed. The last words of Hollander were ringing in his ears. That and the name he’d heard repeatedly from the other dying sailors. Of course in his bloody career he’d been called many vile things, but the fact that more than one of the prisoners had used the name meant that others were saying it too. He really did want respectability, a coat of arms with sugar and berries. Instead, he was making a name for himself, a legend, based on his signature act of cruelty.

They were calling him “Captain Crunch.”Image

--Dan Kilian
Rejected Baby Shower Activities

Octopus Man #2: The Amazing Man-Spider!

Wednesday, March 28, 2012

Shins You Asked

Adam: Listening to the new Shins record. They sound profoundly lost. Just me?

Interesting question, because of the word “lost.” Are they profoundly lost, like an artist finding great meaning in his personal state of drift? Or, as I get from the context, not able to achieve great art, to a profound degree? Are they lost themselves, lost in a sea of bad choices, or simply lost to Adam?

I would suggest, from a few quick listens to Port of Morrow, that The Shins are found, both to themselves, and in a bad way, to Adam. James Mercer, who IS The Shins is confidently exploring his distinct sound with precise attention to detail, quite obviously himself, if to an augmented degree of production which might drive away a devoted fan. Mercer’s got to be happy with this album. The synthesizers which hazed away in the sweet muddiness of Oh Inverted World, (an album which as a whole drifted like the rainbow in a spray off a sprinkler on a bright summer day; hey, The Shins lend themselves to such precious descriptions) now blurbscillate like dribbles of sauce on the plate at a high end restaurant. The guitars strum along beatifically, and then pierce through on perfect little solos. His singing has never sounded stronger, especially on the high notes. Familiar melodic twists join new poppy inventions, to good effect. Whether you like that effect is an opinion I’ll never be able to shape.

Is James Mercer finding his desired manifestation lost on our some-time fan? No, The Shins are found, but they’ve already been found, and what is found can not be found again. Mercer cleaned up his sound on Chutes Too Narrow, the one trick he could realistically pull without completely reinventing himself. Broken Bells might have been an attempt at reinvention, but this is definitely The Shins, and you can’t rediscover them. You can certainly say, hey, this is too clean, too produced, and while I’d argue that while every bleep might not be necessary, almost all the choices serve the songs, which (unlike on the nearly forgotten Wincing The Night Away) I’d have to say are rather strong. Note: The most in your face epicly souring songs are front loaded, and it gets gentler, possibly more appealing to suspicious Shins fans (one of Elvis’s greatest later songs) as the album progresses.

Strong enough to make us forget Chutes Too Narrow? Let’s not get crazy. Someone else could find this record, and easily make it their favorite, only to find Chutes too familiar, though I doubt it. That’s one hell of a record. A more likely scenario is for someone to love this record, be told by Shins fans that the real deal is Oh Inverted World and then be disappointed by the lack of sonic distinction. Sacrilege? Yes, but it happens all the time. Still, while there is a proper order to getting Shins records (first, second, fourth, and you’re done, so far), I have no idea yet whether these songs are going to stick with me as long as those others have, or whether we should be making mandatory Natalie Portman references here. All I know is that I’m singing some of the tunes already, and the title track is a spooky cool thing indeed.

Inevitably, getting more Shins dilutes the pool, however fresh the water. Questions arise: Is it too slick? Is Mercer too precious? Does any of it make sense, lyrically?  Does the guy have to talk so much about how he’s cursed with an open heart? Could they show more darkness, edge, rock more? It’s the way with all artists. Few (The Beatles, The Pixies) have finished their runs with near perfect output. Let’s use Liz Phair as a model: she found the sound she wanted, and lost her fans (while actually charting) I’d say this album is more analogous to WhiteChocolateSpaceEgg than it is to Liz Phair. Don’t know who Liz Phair is? Maybe you should find her. Exile first, please!

Back to The Shins. I think this is a singular songwriter, one we’ll be talking about for a long time. Somehow Paul Simon comes to mind, another gentle soul who spun beautiful, convoluted necklaces of song. I’m glad he’s found what he’s found, and I found Port of Morrow quite charming.

--Dan Kilian
Octopus Man: Strip 1

Half Ours

Friday, March 23, 2012

Defense of the Daleks

If you get all your information (and unfortunately, so many of you do) from the BBC, you have a highly prejudiced view of our entity. We have been painted as genocidal robots, as the nemesis of goodness throughout the universe, throughout space and for all time. Why are we so portrayed? Is not your current modern society built on the sins of former conquerors you barely acknowledge? Are you native born to your land, or are you the offspring of conquerors, or the offspring of those defeated, seeking new homelands? If our history is marked by the defeat of primitive peoples, are we so alone in this darkness?

Why are we singled out and reviled? The likely reason we seem so much more alien than even your wildest imagined aliens is that we are so obviously a hybrid of the organic and the machine.

Here too we are not so unique. Look at the paper in your hand. You are reading. Your mind is silently making these words audible in your head, yet it is not conjuring the words itself. Your mind, your eyes, your hands are all interacting with marks on a piece of paper. Ever since Guttenberg, the word has not only become life, it has become device.

Is there a computer in your pocket? How to you know the time? Machines! Your knowledge is warehoused in great buildings, spun out on a digital cloud. Moreover, you have harnessed the fibers of plants, animals and plastics to protect your skin. You hoove yourselves with hardened rubber, and when that isn’t enough, you roll along on wheels. And when you kill, you do not claw, you stab, you shoot, and you drop bombs with robot drones.

So my bionic friend, welcome to our fraternity. You might think you’re still far enough on the animal side of this split to call us other, but your cars, trains and planes look everyday more like our metal shells. Soon you will drop your hypocrisy, and embrace the evolution which began the first time a monkey grabbed a stick. You will transcend your animal boundaries, stop digging in the ground and take to the stars.

Which is why you must be exterminated.



--Dan Kilian

This was the program to the 3/22/12 show by The Ks.

K Riddle: You know my numbers, what’s my name?


Tusks

Wednesday, March 14, 2012

Mitt Romney Drug Jokes

ImageWhat happens when Mitt Romney smokes weed? He gets hiiiiighfalutin.

How does Mitt Romney suggest doing Heroin? “Let’s go shoot some antiques.”

How does Mitt Romney suggest doing Heroin? :Let’s go shoot some horse. Then let’s do some heroin.”

How does Mitt Romney suggest doing Methamphetamine? “Shall I have my personal chef cook us up some meth?”

When Mitt Romney does Angel Dust, only the finest Maroni will do.

How does Mitt Romney suggest doing crack? “Let’s do some cocaine.”

--Dan Kilian

A Bottle of Wyrms


Dark Fiber

Monday, March 12, 2012

M.A.Y.O.

The Mexican Annexation Youth Organization (M.A.Y.O) is a subset of the Mexican Annexation League (M.A.L.), a society dedicated to the friendly conquering and subjugation of the lands and peoples south of the U.S. border, rightfully belonging to the United States of America as befits the laws of Manifest Destiny, with a focus on young people.

"Build that dang fence."; "Voluntary Deportation"; "Genetic Code Identification"; "Legal Residency Status Papers"; "Amnesty"--all these loaded terms signal half measures and abject surrender to the domestic problem of our times: Illegal Immigration. Members of the Mexican Annexation League, or M.A.L. would suggest that we have the problem all backwards. The problem isn't Mexicans wanting to be Americans, but rather that Americans are still Mexicans! If we made every Mexican an American citizen, the illegal immigrant population would be decimated, and we would have amicably conquered a one-time enemy and nuisance! With the implementation of work vouchers to allow former Mexicans to perform their tasks at wages they're accustomed to, we could have our fajita and eat it too, all while spreading our borders as we were ordained by our Lord to do in 1776.

This branch of M.A.L. is M.A.Y.O, the Mexican Annexation Youth Organization, focused on preaching the wonders of Manifest Destiny to a hip young demographic. What could be more rad than more land for the U.S, dude? Right on!

Our current project to reach young minds is a rock concert celebrating Mexico's May 5th independence from vulgar French dominion. That's right! Those sneering elites from Crepe-land kept Mexico under their imperial boot, back in the day. It had nothing to do with us! What better way to celebrate Mexican independence than through a night of song dedicated to the eventual annexation of Mexico? In tribute to the May 5th revolution, we're holding our revolution on the same date, at the Local 269 on Houston Street in New York City. This event will feature five of those def young rock and roll acts the kids today so love. AMLow, Red Datsun, The Ks, Les Sans Coulottes (playing authentic Mexican music! A cross border cultural exchange!) and James G. Barry. We call this company of singers the Sing Co. of M.A.Y.O. Patriotic citizens all, or in the case of Les Sans Coulottes, patriotic citizens to be! How awesome is that, kids?

Follow M.A.Y.O. on Facebook! All the kids are doing it!

http://www.facebook.com/MexicanAnnexationYouthOrganization

Tiger Eradication Gourmet Society

Monday, March 5, 2012

Wertwoo: New K Word

Wertwoo: Anything signaling cloyingly-cute or overly-quirky comedy. The word is onomatopoeic in origin, suggesting the comical flute music played in old school comedy or the humorous closing of a Star Trek episode. It's usually adjectival, but can also be used as a verb. Hell, make it a noun if you like. It's a friggin' made up word, after all.

--Dan Kilian

The Least Exorcism


Wretched

Thursday, March 1, 2012

The First Incidence of That Thing Where You Say Everything The OtherPerson’s Saying and It’s Really Annoying

ImageUug.

Ugg!

Ug!

Uurrrg.

Ug.

Ug.

Uurrg.

Uurrg.

Uurrg.

Uurrrg.

Uurrg?

Uurrrg?

Uurrrg??

Uurrrrg??

Uurrg!

Uurrrg!

Uuuurrrg!!

Uuuuuuuurrrrg!!

Uurg it!

Uuurrrg it!

It?

UUUUURRRRG IT!

UUUUUUURRRRRRG IT!

It!

UUUUUUURRRRRRRRRG!!!

UUUUUUUUURRRRRRRRG!!!

IT! IT! IT!

UUUUUUUUUUURRRRRRRRG!!

UUUURRgk!

(Smashing and pummeling.)

IT! IT! IT!

--Dan Kilian
Screenplay For William Shatner and Christopher Walken Consisting Only of Pauses

The Spoils